Lahiri’s collection of short stories are told through the third
person limited omniscient narrative, as each story is filtered through the eyes
of a character(s). Being that the book
is of the short story genre, there are few characters in each story, yet each
contains the same elements of the fiction genre.
The stories take place often in or
around the homes of the characters in Lahiri’s book. Very brief descriptions
are given of the place and location by Lahiri, fitting of the short story
genre, as the readers are thrust into the lives of the characters. This is
fitting as each character’s struggle or problem remains personal, and is
virtually confined to his/her environment. In “The Treatment of Bibi Haldar”
Bibi struggles with her illness and life in her small closet of a home, while
in “This Blessed House” Sanjeev’s issue with Twinkle and the Christian items
she finds is confined to only his home.
Characteristic of the short story
genre, the reader is catapulted straight to the height of the action/drama when
the stories begin in the Interpreter of Maladies. Readers are caught in the
middle of the characters’ stories, often where the stakes are high for each of
them. In this book, this tends to be a problem that is affecting the daily
life/lives of the characters. For example, in “Mrs. Sen”, Mrs. Sen’s
homesickness and her failure to fully adjust to life in America leaves her
throwing saris around her room, and her happiness and unease begins to affect
her driving. However, as each story progresses the story and plots come to a
close, and the reader is left with some sense of closure.
Lahiri’s book takes on the characteristic
of the short story cycle. In this case, many themes and elements
reoccur in other stories that in some way unify them. For example, marriage and love appear as common
elements and themes. This can be seen in just about every story included in the
book. The story “A Temporary Matter” showcases an unhappy, rather loveless
marriage, while “The Third and Final Continent” shows an arranged marriage, where
love is also lacking, but grows over time. While “A Real Durwan” and “The
Treatment of Bibi Haldar” do not have married main characters, there are other
married couples in the story, along with Bibi who is searching for a husband
and someone to love.
Being that the book is of short
story genre, readers only get a brief description of the characters, as the
story is already in full swing before we get a brief introduction to them. That
being said, readers are able to gain enough knowledge and characteristics of
each character simply by their actions and interactions with others. Like in “A
Temporary Matter”, from the way Shoba dresses, and acts-no longer cooking
meals, and having little interaction with Shukumar, we learn enough to know her
life has taken a complete turn and her feelings of grief have left her in
somewhat of a careless state.
Do you think by Lahiri disclosing the characters' descriptive environment, it gives the reader less of a chance to actually understand the character? I love how you mention that place and location is not thoroughly explained due to the privacy of the character. I have not noticed that too well, since now I realize it hasn't been talked a lot about in the book. I also agree that in "A Temporary Matter" when Shoba refuses to do the cooking and interacts anymore, she has taken action to change her life which in my opinion may be the best thing for her in order to get over her feelings of grief.
ReplyDeleteGood question! I've been thinking of how to answer it because I feel it could be argued either way. I think in some cases this disclosure helps to understand the character's issue and state of mind. However, I do think it takes away from the focus of the character and therefore our understanding of them in some cases. Given the shortness of each story this does give us less time to understand their problems, and I think isnt always necessary.
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